Travel
I Saw England, I’m Seeing France…
… we’ll leave your underpants out of it for now. But yes, this post is scheduled to go live right as our plane is leaving SeaTac to begin our week-ish long trip to Paris for New Year’s. As I’ve said to others, I pretty much win at girlfriend.
She deserves a ton of credit for, well, everything, but in particular she did a much better job of keeping it a secret than she did for our London trip - she lost the battle with secrecy a month or more before the trip took place (she’d planned to get me to the East Coast and then tell me where we were actually going). This time, sure enough, I had clue-oriented gifts in my stocking, leading me eventually to search our bookshelf, where I found a gift-wrapped guide to walking tours in Paris. W00t!
We get there on the 31st, early, so there can be napping and re-adjusting. Then dinner at some swank digs and, if we can stay awake for it, fireworks at the Eiffel Tower for midnight. I mean, come on. Then a walk-about on the 1st, museums and such on the 2nd-4th, and home on the 5th. Here’s a map showing likely points of interest, but I welcome any suggestions. Keep in mind, we’re more interested in trying to see a few things with some depth, as opposed to doing drive-bys of the entire city. I heard someone brag once about “doing” Musee du Louvre in 45 minutes. That’s… well, that’s dumb.
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Oregon Shakespeare Festival Review: Our Town
Our Town is the first 20th century play to be produced on the Elizabethan Stage at the Oregon Shakespeare Festival . Given this year’s production, I’d say it’s a safe bet to expect more. This well-acted production takes no "chances" with the source material, Thornton Wilder’s 1930’s play, and contents itself with giving us the play as it was intended.
That’s fine by me. With Anthony Heald ably conducting our tour of Grover’s Corners as the Stage Manager, we get a fine and nuanced performance by the OSF company. As George Gibbs, Todd Bjurstrom is actually quite affecting - it’s a role that can be dreadfully earnest, but Mr. Bjurstrom plays George as he is: a callow young man, yes, but a regular one because of it. He’s in his second season now, and I’d expect him to be here for the long haul assuming that’s what he wants. Mahira Kakkar , as Emily Webb, is almost disturbingly young in her role. She isn’t, and clearly it’s a conscious decision to emphasize her youth, for her appearance in the graveyard in Act III is shocking. In all, that play is well-cast and flows without that horrible "ew really?" feeling that you sometimes get when an actor just doesn’t suit you. I’m absolutely not talking about the Queen of the Amazons in this year’s Midsummer . Nope, absolutely not.
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14Jul2008 | John | Comments Off | Continued
Oregon Shakespeare Festival Review: A Midsummer Night’s Dream
Oh. My. God.
If you’ve already seen one or six productions of A Midsummer Night’s Dream , and you’re thinking that you can skip this year’s production at the Oregon Shakespeare Festival … wrong wrong-y wrong wrong. Assuming you can still get tickets, buy two: one to see the show, and one to sacrifice to Dionysus as an apology. There is so much good about this production that I have to start the kudos with Mark Rucker, a new director to the Festival. He is absolutely fearless in the chances he takes, embracing them rapturously rather than mincing them for fear of rejection.
This will sound ridiculous about a production of a play from the 1590’s, but I’m going to place details behind a "more" link to avoid spoilers in case you’re going to see it later. Damn right, spoilers. Tantalizing, ain’t it?
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10Jul2008 | John | Comments Off | Continued
Oregon Shakespeare Festival Review: Othello
This year our trip to the Oregon Shakespeare Festival began with Othello . My experience with the play only goes so far as a reading and a movie, so I was excited to have a company I’m fond of introduce me to the work.
Well.
Many individual components of the production were very good. First and foremost Dan Donohue , as Iago, was fantastic; he impressed as Horatio in last year’s Romeo and Juliet , and with this role has cemented his status in the incredibly prestigious List of Actors John Enjoys Seeing . (If you listen close, you can hear the off-stage trumpets sing their fanfare…) Hopefully Mr. Donohue stays this time - he’s got an active career above and beyond Ashland . Sarah Rutan gives a warm and rounded Desdemona without trying to shoehorn an entire post-feminist rewrite into the role. I agree that the character is difficult to accept from a modern perspective and is not terribly deep, but… well, there you have it. Also of particular note, Danforth Comins was a soulful Cassio. The costumes were lovely; the set was spare but effective.
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4Jul2008 | John | Comments Off | Continued


